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GLOBAL ROCK ART, ANCIENT PICTURES, ARTIFACTS,  MYTHOLOGICAL AND RELIGIOUS STORIES AND PERSONAL VISIONS COMPARED TO MODERN ASTRONOMY, ASTROBIOLOGY AND COSMOLOGY

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INTRODUCTION
CONTENTS
GENERAL CONTENTS
CHAPTER DESCRIPTION
ASTROARCHAEOLOGY
SUN CALENDAR
SUN RELIGION
MYTHOLOGY
MYTH OF CREATION
COSMOLOGY
THE MEDICINE WHEEL
THE MYTHICAL SHIP
THE WORLD TREE
ATLANTIS MYTH
ROCK ART SPECIFICS
ROCK ART DESCRIPTION
STAR CONSTELLATIONS
GROUPED CUP MARKS
NATURAL SYMBOLS
MILKY WAY SPECIFICS
CHAPTER DESCRIPTION
NORTH POLE CENTRE
MILKY WAY CONTOURS
MILKY WAY LINES
MILKY WAY POLES
MILKY WAY CENTRE
MILKY WAY SPIRAL
MILKY WAY STONES 
GREAT GOD & GODDESS
CHAPTER DESCRIPTION
GOD CONCEPTS
THE GREATEST GOD
GOD, MAN & ANIMAL
ATTRIBUTES OF GOD
THE MOTHER GODDESS
FOREFATHER GODS
THE DIVINE HERO
PERSONAL
SPIRITUAL VISIONS
VISITORS BOOK
CONTACT AND LINKS
FRONT PAGE

MILKY WAY CONTOURS

Living much under the open sky without all the modern fashions and technological equipment, our ancestors had much time to observe the seasonal changes with all the night and day experiences that came along throughout the revolving year.

The large Milky Way figure was of course very important as a symbol for our ancestors as well as it is for us to day.

Figure 1 is a schematic drawing of the white Milky Ways northern contours to show the most simple way of picturing the Milky Way contours and the celestial north pole. Picture 2 are from Denmark, Bornholm, Allinge location Madsebakke, about 200 meters from the street in which I live. Among several groups of cupmarks there are several line figures in different directions and with 1 or 2 lines to show the figure.

The difference between making 1 or 2 lines on the rock figures show just how much or how little the artist have done in order to make the planned symbol. Beside that fact, the same sky object can be different pictured depending on the visual power of every artist.

When these figures in my opinion are meant to show the contours of the Milky Way, the figures are placed in different directions because the white contours of the Milky Way apparently changes direction and size trough the year and trough the day and night as well.

Of course such a enormous figure was observed very alike over countries and continents which  explain the great similarity there are between rock carving symbols all over the world.

Throughout the revolving year you will se the Milky Way contours increase and decrease because of the fact of the Earth are circling around the Sun. Also we have the summer period where you can observe very little or nothing because of the light season. This fact are of course also included in the mythological storytelling.

SUN-CARRIAGE OR MILKY WAY CARRIAGE?

The Norse Mythology have a telling of a Horse dragging the Sun over the vault of heaven. This must be a confusion. You cannot create such a symbol and such a story. One cannot se any Horse dragging the Sun Disk over the vault of Heaven! The confusion is made when scholars interpret the Wheel-symbol as a Sun-symbol, which is wrong.

This picture shows the unfolded star map of the Milky Way north and south Contours with the celestial pole centres. Picture 2 shows a part of a Canadian rock carving from Peterbourough, Toronto.

The Wheel-symbol is a symbol of "centre". In the night you can observe such a centre where the stars seems not to revolve in the Sky, called the Celestial Centre. If you look at the night Sky on a favourable night, you also ca se the contours of the Milky Way.

Rock Art Carvings shoving a Horse "dragging a circle".

Picture 1 shows a part of a Bronze Age razor. Picture 2 showing a ritual carriage from the Bronze Age, called the "Sun Wagon" from Trundholm, Denmark. All these pictures shows different cultural stages of picturing the same motif: The Milky Way contours with the Celestial Centre.

Therefore the "Sun-Carriage" must be renamed to "Milky Way -Carriage" and the mythological storytelling should be telling of this in stead of "dragging the Sun-disk over the vault of heaven".

ABSTRACT FIGURES.

 

It sometimes takes a modern human with a great imagination to interpretate the ancient symbols! But you either have to interpretate the symbols mythological - or simply interpretate the symbols as a pure natural phenomenon.

THE FIRST SYMBOLS OF CREATION.

The basic mythological storytelling of Creation originates from the Milky Way and its contours. In the centre of our Galaxy, the Lifetree is standing. Looking at the Star Atlas pictures to the right and left, one easily can imagine the contours as a Man and a Woman, named Adam and Eve in the Bible and many other names in different cultures all over the world.

The most specifics about the Milky Way contours is the white colour itself. The white colour was sanctified by our ancestors to the extent that many indigenous people thought that the white people was a Great White God when they first had an encounter with the white man.

Unfortunately that fact also was a main course of the destroying and diminishing of many cultures all over the world.

Look also Google search for Geoglyphs here:

http://www.google.dk/search?hl=da&q=geoglyphs&meta=

Back to Chapter: Milky Way

Next Content Number: Milky Way Lines

GLOBAL ROCK ART, ANCIENT PICTURES, ARTIFACTS,  MYTHOLOGICAL AND RELIGIOUS STORIES AND PERSONAL VISIONS COMPARED TO MODERN ASTRONOMY, ASTROBIOLOGY AND COSMOLOGY